Last weekend I attended the Romantic Novelists’ Association Annual Conferenced at Harper Adams University in Shropshire. This time I was there for the full two days, so I was able to hear from lots of well-informed and interesting speakers. But first of all, a word about the food! Harper Adams is a former agricultural college, and to help in training the students they raise crops and animals in the surrounding area. Much of the produce is then used in the university catering; the bacon at breakfast was made from their own pigs and cured locally, for example. The Gala Dinner on Saturday night was amazing; normally at an event like that, catering for over 200 people, the main course is something like chicken or stew, which is easier to keep warm and serve at the right temperature. But we were given individual Beef Wellingtons! – and the vegetables were hot, another thing almost impossible to achieve. I highly recommend a visit.
Back to the conference itself. All attendants received a goody bag with books (donated by various publishers) and promotional items from authors. People were queuing up to but raffle tickets for the most beautiful quilted wall-hanging, made in memory of agent Carole Blake by Anne Styles. It was so colourful and flamboyant kept going back to look at it – but alas I didn’t win the draw. I had been looking forward to a talk on ‘Plotter vs Pantser’ by Alison May and Bella Osborne, as plotting is something I really struggle with. After some exercises with them, I discovered that although I am in general really very well-organised, like some others in the audience I could not translate that across to plotting. The suggestion was that plotting was an area where my creativity needed to be able to play. Kate Johnson interviewed Jill Mansell on her writing methods, and Jill produced from her handbag a huge concertina of paper covered in different shades of sticky notes; now there’s a woman who knows how to plot. Jill writes in longhand, with the television on, and manages about a thousand words a day. She said writers have to like their characters, so that they want to find out what happens to them. Fiona Harper gave a brilliant talk on how to develop your characters from the outside in, asking and answering questions about what they want, fear and believe. Once you know their motivations thoroughly, you can see how and why they behave the way they do.
All in all, it was a great conference and I have lots to think over. I have lots of notes to reread, business cards to file and things to send to people, as well as wait for copies of handouts etc to arrive. Busy times ahead!
Hard to believe we’re halfway through the year, isn’t it? Next Christmas is nearer to us than last Christmas, and the longest day is in the past… but I still plan to enjoy my summer. The garden is requiring more and more work, and the weeds are sprouting; but so are the roses. I’ve even spotted a couple of white butterflies flitting around in the garden.
A quick knit for this month’s charity, after the squares I made last month. June’s knit is a mouse to keep a lonely cat amused, for Cats Protection. The pattern came from their website and only takes about half an hour to knit, so I ended up making two, in very vivid colours. It might be fun to make a whole range of them as children’s toys, with a princess and witch and king decorated in scraps of felt – something else to add to my list!
I started revising the first novel I wrote, and it’s amazing and somewhat comforting to see that I have improved in my craft slightly; I can now look at a phrase or sentence or piece of description and see ways to improve it. I still struggle terribly with plotting, though, so I’m looking forward to one of the sessions at the RNA conference which covers plotting and pantsing (going by the seat of one’s pants!). I hope I can learn lots, and put it into practise – we’ll see what happens when July rolls round. In the meantime, if you do know of a good book on the subject, please recommend it to me.
May begins the summer season here, but I’m still trying to process that June is next week, and after that we’ll be nearer to next Christmas than the last one. How did that happen? Time just seems to be whizzing past, but I do have one item of good news: I’ve been selected as a finalist in the Beau Monde Royal Ascot contest for the second time. It’s such a surprise, but I am pleased and feel a sense of encouragement that has perhaps eluded me for a little while.
In other news I’ve attended an RNA lunch in Edinburgh and booked for the RNA Conference at Harper Adams University in July. I’ve also booked my train ticket, which was about half the cost of the Conference! I do enjoy train journeys, though; the only civilised way to travel. I can get my books and papers out and be distracted by the passing scenery. Harper Adams is a lovely venue – I was there before in 2014 and enjoyed it very much. It’s an agricultural college so there were surreal moments such as walking to a lecture on romance writing and passing a sign saying ‘Pig Unit’.
This month’s charity knitting is some 8 inch squares for Knit for Peace. The Big Woolly Weekend is being organised by Bergere de France, a French yarn company, and they’re asking for knitted squares. The idea is that these will make bunting for the Jo Cox Foundation, which is organising street parties in June, and then be turned into blankets by Knit for Peace. I don’t imagine I’ll be able to make a very long length of bunting, but anything I – or anyone – can do, will be a help. And it’s good to feel I’m doing something positive.
These were sent off earlier this month; two 12 inch knitted squares. A charity called Woolly Hugs makes them into blankets for children from Chernobyl, who come to the UK for a holiday over the summer months. Besides enjoying some fun by the beach, a stay here can improve their immunity against childhood cancers, which run at around 75% in the area surrounding Chernobyl. Woolly Hugs also collects small gifts, of the sorts teenagers teenagers would like, and a little money for ice-cream, which I sent along with the squares.
After a winter when not much was achieved, I hoped to kickstart my creativity by booking myself on to The Write Stuff, an afternoon about writing and publishing arranged by Literary Dundee at the university there. There were around 150 people in attendance; many of them students, as Dundee runs an M Litt in Writing Practice and Study.
Three of their recent graduates were there. Oliver Landmead, Claire MacLeary and Sandra Ireland all read extracts from their works. They all said that reading work aloud was key; initial discomfort at reading to fellow students was excellent training for doing readings from their books at festivals, and reading your work out loud to yourself could make you aware of areas needing improvement. Claire added a query letter should have three paragraphs; what it’s about, whom it will appeal to, and a little about yourself. Jenny Niven spoke about her career organising literary festivals, which has taken her all over the world, ending back at the Edinburgh International Book Festival.
David Stenhouse’s talk about the BBC and the written word was fascinating; I hadn’t thought before of how much work it would be to fill all those hours of radio. As he said, if you can be an answer to someone else’s problems, you’re halfway there already. 404Ink were inspiring; their story of how ‘Nasty Women’ came to be published showed just how much they were willing to take on to make it and their publishing venture a success. The last two speakers were Laura Waddell, a writer and children’s publishing manager, and Claire Wingfield, a literary consultant and editor. Both had some great advice and suggestions which I need to follow up on.
There’s going to be another Write Stuff event next year. Would I go? Absolutely. At £3, the tickets were a bargain and the goodie bag was great!
I don’t know why, but since October I seem to have had less time than ever, and it’s whizzing past far too quickly. Nearly the end of March now, and I haven’t managed to post anything except this month’s charity knit. It’s a neck-warmer for the Warm Hands Network, which sends warm clothing to children in the far north of Canada. I thought it was an excellent idea, and I’m trying to choose different places to send things to. I stumbled across the pattern on Ravelry and felt it was a very ingenious design, providing warmth without too much weight. So that’s this month’s achievement – oh, and I also entered the Beau Monde’s Royal Ascot contest with the start of another novel. I finaled last year, which was very exciting, but I don’t know I can expect that twice in two years. Wish me luck!
Just in time, here’s a photo of my charity knitting project for February. I made two chicks, which will each hide a chocolate egg inside for Easter. They were made for Francis House, a children’s hospice in Manchester. For the last few years, knitters have produced thousands of chicks to raise funds; in 2016 over £27,000 was raised. If you fancy trying your hand at these, these is a knitting and a crochet pattern available here.
The instructions for the chicks use double knitting wool, but as I didn’t have any in yellow I used two strands of four ply instead. I dyed the wool myself using food colouring, which is great fun and very easy. There’s a great article here about how to do it. That suggests Kool Aid, but any type of food colouring will work, as long as your wool is made from, or is blended with, animal fibre; so silk, cashmere, angora will all work, but not cotton or linen. A tiny piece of felt for a beak and a couple of black eyes, and they’re ready. The 13th of March is the last date to send chicks in, but they don’t take long to knit if you wanted to try one for yourself.